New Photo - Southern Hospitality Season 4 Episode 2 Recap: Squash the Beef

Southern Hospitality Season 4 Episode 2 Recap: Squash the BeefMichelle K AlejandroFri, March 13, 2026 at 2:01 AM UTC 0 Photo Credit: Charles Sykes/Bravo via Getty Images Southern Hospitality Season 4 is starting with a bang! Literally. But then again, when things hit rock bottom, that's when they can be rebuilt again, right? It looks that way for our Republic crew. Maddi is learning to put her anger aside and move forward. Molly is back in the fold. And Joe is learning that he can't take several months off and expect a promotion.

Southern Hospitality Season 4 Episode 2 Recap: Squash the BeefMichelle K AlejandroFri, March 13, 2026 at 2:01 AM UTC

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Photo Credit: Charles Sykes/Bravo via Getty Images

Southern Hospitality Season 4 is starting with a bang! Literally. But then again, when things hit rock bottom, that's when they can be rebuilt again, right? It looks that way for our Republic crew. Maddi is learning to put her anger aside and move forward. Molly is back in the fold. And Joe is learning that he can't take several months off and expect a promotion. Here's everything that happened in Southern Hospitality Season 4, Episode 2: "Folly Follies."

What Happened on Southern Hospitality Season 4 Episode 2?

Photo Credit: Stephanie Diani/Casey Mathewson/Bravo

The episode picks up right where the last one left off. TJ and Maddi are screaming at each other. Maddi shares that this beef started four years ago when she spilled the tea about Brad getting a back-alley BJ. He got mad and made up a rumor about her beau cheating.

Maddi wanted Brad and TJ to reach out to her and make amends. They thought the beef was over. But it obviously wasn't, hence the Weiner party meltdown.

Eventually, Brad and Maddi moved aside to talk in private. Brad thought they were going to let it go. But Maddi said she was mad Brad didn't check on her at the hotel but had time to hang out outside Emmy's hotel room.

Brad shared that he couldn't help but hear Emmy through the walls. Then Brad revealed Emmy took it a step too far and said she "felt unsafe" around Brad. Yikes. Even Maddi grimaced at that. That's why Brad is so mad.

Maddi shared her lingering resentment about blowing up a relationship with a man she really loved. Brad looked appropriately chastised. The pair eventually agreed to put this behind them and work on rebuilding trust.

TJ and Maddi discuss what happened (but not with each other)

Photo by: Stephanie Diani/Bravo

The next day, everyone is getting over their hangovers. Lake and Michols meet up and Lake shared that she and Molly resolved their beef, although she was pretty drunk at the time. "Drunken words are sober thoughts," Lake said. So she and Molly are cool.

Not everyone is cool, though. TJ hopped on a call to talk with Mia to share what happened at the event. He told her that Maddi knocked the cutout of her down and stepped on it. Mia said Maddi could feel free to hit her in person next time.

For her part, Maddi invited her sobriety sponsor, Julia, over to discuss what happened and ask for her unbiased advice.

Maddi opens up to Julia about her frustration over everything. She was especially hurt that TJ said they were never friends during the fight. This hurt her so much that she made a (wait for it) PowerPoint presentation about their friendship to prove him wrong.

In the end, Maddi admits that what happened impacted her whole life and her relationship with Joe. Julia (bless her) does the Lord's work and tells Maddi she has a right to feel upset, but she needs to decide what she wants moving forward. And definitely not show TJ the PowerPoint.

Justin reflects on his relationships, what he wants, and curbing the "freakiness"

Photo Credit: Elizaveta Braginskaya/Bravo

As TJ and Maddi think about their fight, Justin thinks about life choices. He admits he's just trying to have fun now. His last relationship imploded because of a threesome gone wrong. Oh dear.

TJ visits and he and Justin shared a bottle of wine poured from his new "dick-canter." Justin admitted that Jordyn has been sleeping over almost every night. He enjoys "clapping cheeks," but he's also looking for more.

Justin revealed that Jordyn accused him of being gay. To be fair, she did see him make out with both Michols and TJ. Justin admitted to exclusively dating women but can also appreciate a good-looking man.

We definitely learned more about Justin. He's pretty open-minded, he shaves his balls, and according to TJ, he's an excellent kisser. Oh, and he has a crush on Mia too!

Michols tries to keep the morale up at Republic

Photo Credit: Paul Cheney/Bravo via Getty Images

And it's back to work! The gang heads back to Republic. Michols tried to keep the morale up and reminded everyone to (at least) act excited and go out and do their best.

It's another busy night at the bar. Justin is making plans to hook up with Jordyn again and Brad is inviting Maddi to his and Julia's one-year anniversary celebration. They've got a house on Folly Beach and want to bring the whole gang over. Well, almost everyone.

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Emmy overhears the invitation (she's literally right behind them). "What about me?" she asks. Everyone is moving forward, but no one is apologizing to her for last season. She's feeling especially salty considering she helped Brad and Julia get together.

Meanwhile, Michols is trying to get Joe to do more than the bare minimum. Joe admits that he is bored and wants to open his own bar. He added that Leva gave TJ the chance to grow his own business, and now he wants the same.

Welcome back, Mia!

Photo Credit: Elizaveta Braginskaya/Bravo

The next day, TJ and Molly meet Mia. She's back from Hawaii and boy, does she have some news. She spills that she and Troy broke up the night before.

Molly and TJ look appropriately shocked. Everyone thought that Mia and Troy were going to get engaged in Hawaii. But instead, the couple decided to part ways.

It turns out, Mia is done with the long-distance. She was hoping Troy would move to Charleston. But Troy said he couldn't give her a timeline for the move. So, after two years with no forward movement, Mia is calling it.

On the heels of the split, it isn't long before TJ brings up that Justin had a crush on Mia. She admits he's hot, and TJ spills that he hit on Molly too. It looks like Justin is essentially trying to bang everyone.

Joe and Leva have a serious discussion about his future

Photo Credit: Stephanie Diani/Bravo

The next day, Joe requests a sit-down with Leva. He is serious about wanting his own spot. He starts off by telling her that he wants to grow and be a business partner.

Leva admitted that previously, she could see herself doing something with Joe. But instead of committing to work, he took time off to follow Maddi on tour. Joe explained that Maddi was in a bad place and really needed him. Leva didn't discount that, but she stood firm that he sacrificed work and just stopped showing up.

Leva has wanted to give Joe equity in a new business for years, but he messed up. She told him that he's not irreplaceable and that Justin was getting the job done in his absence. If Joe wants to get back to the place he was at before, he needs to recommit and prove her wrong.

Brad and Julia's Folly anniversary theme: Squash the Beef

Photo Credit: Charles Sykes/Bravo via Getty Images

Which brings us to Folly Beach and Brad and Julia's one-year anniversary. Everyone is heading to the house, including Emmy! Brad invited her at the last minute on Julia's advice. He thinks it's time to hash out what happened. But only if she apologizes for her "unsafe" comments.

So the gang arrives. It's all going well until Maddi attempts to give Mia a hug. Mia is not having it and says, "You're not going to step on me this time?"

The two argue heatedly. Mia continues to say she wasn't in the group chat. She repeats it over and over. Only for her to realize that yes, she was in the group chat after all. Oops!

In the end, Maddi and Mia decide to squash the beef. They laughed and said that should be the theme of the event.

Things are looking good … until the inevitable sit-down with Emmy. It's all going down in the next episode, including another epic panic attack and walkout.

Southern Hospitality airs Thursday nights at 9/8c on Bravo. It streams on Peacock.

TELL US – DO YOU THINK BRAD AND EMMY CAN SQUASH THEIR BEEF?

The post Southern Hospitality Season 4 Episode 2 Recap: Squash the Beef appeared first on Reality Tea.

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Southern Hospitality Season 4 Episode 2 Recap: Squash the Beef

Southern Hospitality Season 4 Episode 2 Recap: Squash the BeefMichelle K AlejandroFri, March 13, 2026 at 2:01 AM UTC 0 Ph...
New Photo - Why JFK Jr. asked Barrymore to dress as Marilyn - 'Love Story' fact check

Why JFK Jr. asked Barrymore to dress as Marilyn &x27;Love Story&x27; fact check Erin Jensen, USA TODAYFri, March 13, 2026 at 2:10 AM UTC 0 One week after actress Daryl Hannah questioned "How Can 'Love Story' Get Away With This?" in an oped for The New York Times, FX's "Love Story" released its seventh episode (Thursdays at 9 ET/PT and streaming on Hulu). Joining John F. Kennedy Jr.

Why JFK Jr. asked Barrymore to dress as Marilyn - 'Love Story' fact check

Erin Jensen, USA TODAYFri, March 13, 2026 at 2:10 AM UTC

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One week after actress Daryl Hannah questioned "How Can 'Love Story' Get Away With This?" in an op-ed for The New York Times, FX's "Love Story" released its seventh episode (Thursdays at 9 ET/PT and streaming on Hulu).

Joining John F. Kennedy Jr.'s nephew Jack Schlossberg in calling out the inaccuracies of the limited series, Hannah said the small screen version of her, played by Ernest Hemingway's great-granddaughter Dree Hemingway, "is not even a remotely accurate representation of my life, my conduct or my relationship with John."

Though the series is based on Elizabeth Beller's book "Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy," "Love Story" took some liberties in dramatizing the work. We're here to analyze the latest episode to help you decipher fact from fiction.

1 / 0'Love Story' cast photos compared to real-life people including JFK Jr., Carolyn Bessette

FX's "Love Story: John F. Kennedy Jr. & Carolyn Bessette" (Thursdays, 9 ET/PT on FX and streaming on Hulu) depicts the romance of the pair, who tragically died in a plane crash in 1999. Let's take a closer look at the actors and the real-life people they're portraying.

Did John F. Kennedy Jr. and Carolyn Bessette have matching tattoos?

The episode opens with John (Paul Anthony Kelly) and Carolyn (Sarah Pidgeon) returning from their honeymoon in Turkey, which the bride relished.

"Not sick of me after those two weeks?" John asks.

"Yes," Carolyn answers sarcastically, "those matching tattoos we got was my way of telling you I need a little space."

Per Beller's book, the real-life newlyweds mentioned ink to Emil Gabron, an acquaintance they met on their honeymoon.

"Gabron found them both witty and 'very sweet,'" Beller writes. "They exchanged contacts, and when Gabron brought his wife to New York later in the year, Carolyn and John invited them to their loft. 'They confessed that before leaving Istanbul, they went to a tattoo artist who plastered their respective behinds with shamrocks.'"

Paul Anthony Kelly and Sarah Pidgeon star in a dramatized telling of John F. Kennedy Jr. and Carolyn Bessette's "Love Story."What did Caroline Kennedy think of Drew Barrymore's Marilyn Monroe cover?

While arguing with his older sister Caroline Kennedy (Grace Gummer) and her husband Edwin Schlossberg (Ben Shenkman), John accuses them of wanting to capitalize on President Kennedy's legacy."What do you call this?" Caroline asks, holding a copy of the September 1996 issue of John's magazine, "George," featuring Drew Barrymore dressed as Marilyn Monroe, when she sang "Happy Birthday" to John F. Kennedy. (It's widely believed that Monroe and Kennedy had an affair.) Text on the cover read, "Happy Birthday, Mr. President" in honor of Bill Clinton's 50th.

"It's tongue-in-cheek," John fires back at Caroline in "Love Story." "Everyone else gets to poke fun at the family lore, why shouldn't we?"

"Because it isn't funny, John," Caroline explains. "In fact, it's tone-deaf and incredibly embarrassing."

Kennedy Jr.'s former executive assistant RoseMarie Terenzio says in the book she co-authored, "JFK Jr.: An Intimate Oral Biography," that Caroline Kennedy did not approve of the recreation.

"Caroline didn't like that he did that cover—not only that, she was pissed he never gave her a heads-up," Terenzio said in the oral history. "John said, 'Caroline's upset.…' I told him I thought she was right to be upset because it directly affected her. I said, "It's her family, too." And he just looked at me like, You got a point."

John F. Kennedy, Jr. and older sister, Caroline Kennedy, pose for a photograph on March 8, 1999 at the Waldorf Astoria in New York City.

Kennedy Jr. addressed the cover during a September 1996 appearance on "The Oprah Winfrey Show."

"Bill Clinton turned 50 two days after we went on sale," Kennedy Jr. explained of the then-President's milestone. "And as an editor, that is a colossal opportunity that you can't let pass."

"I think my family is used to all manner of controversy," he added. "So, I think in the grand scheme of things, this probably didn't register too high on the Richter scale."

Barrymore shared in "JFK Jr." the entrepreneur "was coming at it with playfulness, and he felt that I was playful. I got that he wasn't out to hurt anyone, and that's what make me feel really inclined to do it."

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Did John F. Kennedy Jr. get into a physical fight with George co-founder Michael J. Berman?

In the series, Michael J. Berman (Michael Nathanson) grows increasingly frustrated with Carolyn's presence as well as John's aversion to leveraging his popularity to save their struggling magazine.

In the heat of an argument John rips up a contract for a "George" TV project and throws it in Michael's face.

"Do you have any idea what life is like propping you up 24/7?" Michael asks. "I mean, you can't do anything on your own. I've had to be your mommy and your f------ daddy."

John tells Michael to shut up and pushes him.

"You're nothing without your name, you're a sympathy case with a pretty smile," Michael says, shoving John back.

John decks him and the two briefly spar before John kicks Michael out of his office.

John F. Kennedy Jr. unveils his fresh political magazine, George, on Sept. 7, 1995, in New York City.

Per "Once Upon a Time," the two had a "final blowout" in 1997.

"John burst into Michael's office and shouted, 'We are not doing any of this,' making a move to grab the paperwork related to a possible TV deal on the horizon that could have potentially generated desperately needed revenue," Beller writes. "'I'll be the editor, and you can be the publisher. That's the way it's going to be.'

"The two men tussled over the folder, and, in the process, John ripped Michael's shirt cuff," Beller continues. "One Hachette alumnus recalled being told that at one point in the fight, John took a pair of scissors, raised them over Michael's head, and had to be held back by staffers."

Berman complained that Kennedy Jr.'s personal life negatively impacted his work performance, according to Beller. Kennedy Jr. accused Berman of being jealous of how well-liked Bessette was in the office. At one point, "John stormed out of Michael's office and into his own, locking the door.

"Michael went maniacal and chased after John, screaming, 'Open the f------ door! Open this door!'

"He tried to pick the lock with a letter opener he had grabbed from a nearby desk, to no avail… John sent an apology note with a new shirt a couple of days later, but Michael never spoke to John again."

1 / 0See John F. Kennedy Jr. and Carolyn Bessette's whirlwind romance

John F. Kennedy Jr. and Carolyn Bessette became tabloid fodder when the publisher son of President John F. Kennedy, described as the "closest thing to American royalty," and the Calvin Klein publicist, "a star in her own right," met in 1992 while at his fitting for the clothing brand. In recent years, Bessette's fashion has found a new following – particularly on TikTok – as a new generation fawns over her simple but chic wardrobe. After they were married, Bessette was known as Carolyn Bessette-Kennedy. The end of the Kennedys' love story shocked the world when they died in a plane crash alongside Bessette-Kennedy's sister, Lauren Bessette. The former first son was piloting the aircraft when it crashed into the Atlantic Ocean near Martha's Vineyard in 1999. Now, director Ryan Murphy is releasing the first installment of his "Love Story" anthology based on the whirlwind romance between John F. Kennedy Jr. and Carolyn Bessette. See their relationship in photos, beginning here at the U.S. Customs House in New York City on May 19, 1999, for the Newman's Own/George Awards.

How did the incessant media attention affect Carolyn Bessette?

Through several instances in Episode 7, viewers can see how hounding paparazzi shrunk Carolyn's world. Photographers swarmed the offices of Ralph Lauren after Carolyn's job interview, on the street they called her names, and stories about her mental health flooded the tabloids.

"I impose a circus on anyone who comes within 15 feet of me," a lost Carolyn confides in her sister Lauren Bessette (Sydney Lemmon) in "Love Story." "Where am I supposed to go? I just feel like, for as long as I can remember I have known exactly who I am, and what I want, and now I just feel, like, paralyzed. I'm terrified of making the wrong move or drawing any more attention to myself."

Beller acknowledges in her book that the "'stuff in the press' was wearing on Carolyn. After a year of intense media scrutiny, she found it impossible to continue on in her previous profession, impossible to contribute in any meaningful and overt way to her husband's magazine—to which she had already contributed much—and impossible to leave her home without being physically chased. Feeling cornered, Carolyn went into a spiral of worry and anguish.

"'She felt like a caged animal,' said (friend) MJ Bettenhausen. 'The situation devolved, and she was afraid to leave the house.'"

This article originally appeared on USA TODAY: Why John F. Kennedy Jr. asked Drew Barrymore to pose as Marilyn Monroe

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Why JFK Jr. asked Barrymore to dress as Marilyn - 'Love Story' fact check

Why JFK Jr. asked Barrymore to dress as Marilyn &x27;Love Story&x27; fact check Erin Jensen, USA TODAYFri, March...
New Photo - Kylie Jenner Reveals Shocking Bleached Brow Look for Vanity Fair

Kylie Jenner Reveals Shocking Bleached Brow Look for Vanity FairEvolve EditorsFri, March 13, 2026 at 2:45 AM UTC 0 Photo Credit: JC Olivera/GA/The Hollywood Reporter via Getty Images Kylie Jenner never misses the chance to get the internet talking, and this time she has done it by debuting a bleached brow look. The beauty mogul graces the cover of Vanity Fair's Spring 2026 issue. Photographed by Mert Alas, she delivered her take on the bleached brow and braastop trends.

Kylie Jenner Reveals Shocking Bleached Brow Look for Vanity FairEvolve EditorsFri, March 13, 2026 at 2:45 AM UTC

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Photo Credit: JC Olivera/GA/The Hollywood Reporter via Getty Images

Kylie Jenner never misses the chance to get the internet talking, and this time she has done it by debuting a bleached brow look. The beauty mogul graces the cover of Vanity Fair's Spring 2026 issue. Photographed by Mert Alas, she delivered her take on the bleached brow and bra-as-top trends.

Kylie Jenner takes the internet by storm with shocking bleached brow look for Vanity Fair

Take a look at Kylie Jenner with her bleached brows:

Jenner paired a structured black bra with Hermès khaki pants cinched by a black Balenciaga belt at the waist. She completed the look with inky knee-high riding boots, another piece from Hermès. Together, the boots and the pants helped her lean into the horse girl aesthetic.

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The most striking part of her look, however, was her makeup featuring the bleached brows. Makeup artist Ariel Tejada used a blurred matte lip, saturated blush, and mascara to achieve that bleached look. All products were from Kylie Cosmetics. She sat on a bed with her knees spread as she lit a cigarette while staring at the camera.

Originally reported by Ankita Shaw on The Fashion Spot

The post Kylie Jenner Reveals Shocking Bleached Brow Look for Vanity Fair appeared first on Reality Tea.

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Kylie Jenner Reveals Shocking Bleached Brow Look for Vanity Fair

Kylie Jenner Reveals Shocking Bleached Brow Look for Vanity FairEvolve EditorsFri, March 13, 2026 at 2:45 AM UTC 0 Pho...

Daniel Radcliffe casts a spell on Broadway in "Every Brilliant Thing" Dalton RossFri, March 13, 2026 at 3:00 AM UTC 0 Daniel Radcliffe in 'Every Brilliant Thing'Credit: Matthew Murphy "If you live a long life and you get to the end of it without ever once feeling crushingly depressed, then you probably haven't been paying attention." So opines Daniel Radcliffe in the solo show Every Brilliant Thing, which just opened at the Hudson Theatre on Broadway. It's a deep quote in a story centered around a very deep topic — suicide.

Daniel Radcliffe casts a spell on Broadway in "Every Brilliant Thing"

Dalton RossFri, March 13, 2026 at 3:00 AM UTC

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Daniel Radcliffe in 'Every Brilliant Thing'Credit: Matthew Murphy

"If you live a long life and you get to the end of it without ever once feeling crushingly depressed, then you probably haven't been paying attention."

So opines Daniel Radcliffe in the solo show Every Brilliant Thing, which just opened at the Hudson Theatre on Broadway. It's a deep quote in a story centered around a very deep topic — suicide. Yet the play's secret is managing to confront the issue head-on while also offering a life-affirming alternative in the form of a constantly growing list of seemingly trivial things that make every day worth savoring.

Radcliffe's unnamed narrator began making the list at 7 years old after his mother attempted to take her own life. But instead of Radcliffe reading the list items to the audience, the trick is that the audience actually reads the items back to Radcliffe. The actor will shout out a number and then — in an impressive display of audience amplification by sound designer Tom Gibbons — a reply emanates back from somewhere in the theater. Sometimes from the orchestra. Other times, the mezzanine. And occasionally from on stage, where people are seated in the round.

Daniel Radcliffe in 'Every Brilliant Thing'Credit: Matthew Murphy

On the list could be anything: The even-numbered Star Trek films. When a concert crowd keeps singing the melody after the band have left the stage. Peeing in the sea without anybody knowing. Spaghetti bolognese. And the star reacts to it all with whimsical delight, as if he is cherishing the memories all over again.

And that is just the beginning of the audience participation, as theater goers are picked out to play key roles such as the narrator's father, girlfriend, librarian, and professor along the way. Not only does it inject a bit of improv into the proceedings as Radcliffe must react to how his amateur thespians play the scene, but it also creates a mad pre-show scramble that is just as entertaining as the actual play itself.

From the moment the house doors open, right up until the show officially begins, Radcliffe stalks the aisles of the theater — chatting with attendees and handing out assignments. The star has always projected as a celebrity completely unimpressed with his own celebrity, and watching one of the most famous faces on planet Earth literally work the room — bouncing manically from row to row and enthusiastically thanking those who agree to participate — is an absolute delight and sets the perfect tone for what is to come.

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Daniel Radcliffe in 'Every Brilliant Thing'Credit: Matthew Murphy

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Every Brilliant Thing was written in 2013 by Duncan Macmillan (who directs this production with Jeremy Herrin) and Jonny Donahoe (who was the original performer; you can watch a filmed version of his take on HBO Max). It has since appeared worldwide and starred folks like Minnie Driver and Phoebe Waller-Bridge, but it's hard to imagine anyone tackling the role with more energy and ebullience than Radcliffe, who at one point during a drum and bongo solo from Curtis Mayfield's "Move On Up" proclaims, "I'm going to high-five the entire room!" And then proceeds to go and do it… before eventually making his way back on the stage and noting, "The high fives were a mistake. There are too many of you."

And the flurry of Hudson Theatre high-fives is not the only time Radcliffe is quick on his feet. During one performance, the two books he retrieved from audience members for a key scene happened to be none other than Percy Jackson and the Olympians and Twilight. Upon reading the words "Soon to be a major motion picture" on the Twilight cover, the former Harry Potter slyly ad-libbed, "Nothing ever goes wrong with adaptations to major motion pictures."

Daniel Radcliffe in 'Every Brilliant Thing'Credit: Matthew Murphy

Any one-person show is obviously dependent on the magnetism of its performer, and Radcliffe is in total command of both the material and the room. While Donahoe's original narrator was a bit more tender and subdued, Radcliffe is a frenetic force. Where Donahoe walked around his stage, Radcliffe bounces. Which is what makes his energetic narrator's own spiral at one point into a depressive state all the more impactful, as both he and we learn that all the lists and ebullience in the world can't fully protect you from the demons within.

It seems almost incongruous to talk about what a great time you will have watching a play centered around depression and suicide, but what Every Brilliant Thing does is create almost a communal support group filled with constant reminders of the things that make life worth living. And with Radcliffe as our guide, this show definitely makes the list. Grade: A–

on Entertainment Weekly

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Daniel Radcliffe casts a spell on Broadway in “Every Brilliant Thing”

Daniel Radcliffe casts a spell on Broadway in "Every Brilliant Thing" Dalton RossFri, March 13, 2026 at 3:00 A...
New Photo - The 20 best thriller movies on HBO Max (including a nail-biting Oscar contender)

These films get the blood pumping. The 20 best thriller movies on HBO Max (including a nailbiting Oscar contender) These films get the blood pumping. By Jordan Hoffman :maxbytes(150000):stripicc()/JordanHoffmanauthorphotoe4b61cf41b534ce3bd109eae4b8f4eaa.jpg) Jordan Hoffman Jordan Hoffman is a writer at , mostly covering nostalgia. He has been writing about entertainment since 2007. EW's editorial guidelines March 11, 2026 6:00 p.m. ET Leave a Comment :maxbytes(150000):stripicc()/HERETICHughGrantOneBattleAfterAnotherTHELONGGOODFRIDAYBobHoskins030926927c0921be3c4d8cbbf841ff5aeadbca.

These films get the blood pumping.

The 20 best thriller movies on HBO Max (including a nail-biting Oscar contender)

These films get the blood pumping.

By Jordan Hoffman

Jordan Hoffman author photo

Jordan Hoffman

Jordan Hoffman is a writer at **, mostly covering nostalgia. He has been writing about entertainment since 2007.

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March 11, 2026 6:00 p.m. ET

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HERETIC Hugh Grant, One Battle After Another Teyana Taylor, THE LONG GOOD FRIDAY Bob Hoskins

Hugh Grant goes religious, Teyana Taylor goes revolutionary, Bob Hoskins goes legit. Credit:

Kimberley French/A2-/Courtesy Everett Collection; Warner Bros.; Embassy Pictures/courtesy Everett Collection

Thrills! We yearn for them. Yet in real life, they can be dangerous (or at least add embarrassing charges to your Visa card). Perhaps it's best to experience thrills vicariously, through cinema, from the comfort of your own home.

Luckily, a platform exists that is positively awash in thrills, and that's Home Box Office Maximum.

Yes, HBO Max has one of the best archives of motion pictures available on any streaming platform across all genres, and that includes the elusive "thriller" category. While it's sometimes difficult to determine "what is a thriller?" — as it can lean on elements of suspense, mystery, and action — you likely don't mind how closely a movie hews to a defined style, so long as it's good.

So, what are the best thriller movies on HBO Max? You've logged in, you're looking for something to watch tonight, and you've turned to * *to answer that question. Grab your remote, 'cause we've got you.

Blood Simple (1984)

M. Emmet Walsh

M. Emmet Walsh puts his hand in the wrong window sill in 'Blood Simple'.

Circle Films/ Everett

Joel and Ethan Coen came out of the gate firing with their debut picture, *Blood Simple*. This Texas-based thriller about private eyes, crooked bar owners, and over-their-head adulterers is loaded with double-crosses and fake-outs, leading to one of the most explosive and cathartic shootouts (and stab-outs) in neo-noir history.

M. Emmet Walsh is first among equals with an indelible performance as the sleaziest and least-trustworthy private detectives ever to don a ten-gallon hat. The film was also our collective introduction to Frances McDormand, as well as the Coens' oddball sense of humor and camerawork.

Where to watch *Blood Simple*: HBO Max

A Different Man (2024)

Sebastian Stan in 'A Different Man'

Sebastian Stan gets the face he thought he wanted in 'A Different Man'.

Matt Infante/A24

A mind-bending surreal comedy with thriller elements, Aaron Schimberg's *A Different Man *proves it's what's *inside *a person that counts… and sometimes what's inside is kinda rotten. Sebastian Stan stars as a sympathetic struggling actor with a facial disfigurement who gets "cured" by an experimental medical procedure. Suddenly conventionally handsome, he assumes a new identity, but his personality grows sour.

It gets worse when he meets Adam Pearson, who has the same condition as Stan but is effortlessly confident in his own skin, a true "life of the party" type. A strangely sinister dance commences between the two as their identities intertwine.

Where to watch *A Different Man*: HBO Max

Enemy (2013)

ENEMY (2014) Jake Gyllenhaal

Jake Gyllenhaal (we don't know which one, don't ask) in 'Enemy'. Caitlin Cronenberg/A24

*Enemy *stars Jake Gyllenhaal in a dual role as a mild-mannered professor who discovers there's someone in his city, an obscure actor, who looks exactly like him. He seeks his double out, affording director Denis Villeneuve to shoot contemporary Toronto in eerie ways as the pair's similarities and differences get increasingly weird.

This tension leads to paranoia, madness, and, for some reason, an enormous spider the size of the CN Tower. Many mine the film for deep meaning, but like so much great creative work, it hangs together more on instinct than delineated plot. In other words, however you interpret this movie is correct!

Where to watch *Enemy*: HBO Max

The 50 best movies on Max to make you a well-rounded cinephile

Margot Robbie as Barbie in 'Barbie'; Fantasia Barrino as Celie in 'The Color Purple'; Robert De Niro as James Conway in 'Goodfellas'

Teyana Taylor defends her 'One Battle After Another,' reveals day on set that 'hit hard'

The Awardist collage with Teyana Taylor

Fargo (1996)

Frances McDormand next to murdered officer in the snow in a scene from the film 'Fargo', 1996

Frances McDormand is about to barf (but not because of the corpse) in 'Fargo'.

Gramercy Pictures/Getty

The movie that launched a thousand exaggerated Midwestern accents, *Fargo *is a darkly funny thriller in which a cash-poor dope (William H. Macy) sets off a criminal scheme that quickly spirals out of control. Frances McDormand won her first Oscar for the role of Marge Gunderson, a very pregnant police detective with a keen mind and sweet demeanor.

Joel and Ethan Coen's sharp script and visual wit make this one of their most celebrated films (which is saying something!). *Fargo *also later spawned a successful (though not directly connected) television series of the same name.

Where to watch *Fargo*: HBO Max

Get Out (2017)

Daniel Kaluuya and Allison Williams in Get Out

Daniel Kaluuya meets Allison Williams' totally normal family in 'Get Out'.

Universal Pictures

I would watch this movie a third time if I could!

Jordan Peele's first feature, a runaway smash that won him an Oscar for Best Original Screenplay, functions as both a *Twilight Zone*-like B-picture and a bracing satire about race, class, and delusion. The concept of "the Sunken Place," serves a fantastical function for the movie's plot, but also cunningly visualizes social theories that were previously found limited to books and academic journals. Not yet a decade old, the horror-thriller has secured a position as one of the most enduring films made this century.

Where to watch *Get Out*: HBO Max

Ghost Dog: The Way of the Samurai (1999)

GHOST DOG: THE WAY OF THE SAMURAI, Forest Whitaker, 1999

Forest Whitaker lives by the sword in 'Ghost Dog'.

Artisan Entertainment/Everett Collection

One of independent cinema's foundational directors, Jim Jarmusch, brings his typical deadpan sensibility to this uncanny crime film, mixing in conventions from hip-hop culture and samurai movies. Forest Whitaker stars as a mafia hitman who lives by a samurai code. He's loyal to his mafioso master, to whom he owes his life, but when he realizes that forces in the organization plan to eliminate him, he's gotta devise a solution.

The movie underscores the absurdity of attempting to hew to outdated philosophies in a selfish, modern culture. It also has moments of unexpected humor — and a score composed by RZA, to boot.

Where to watch *Ghost Dog: The Way of the Samurai*: HBO Max

Heretic (2024)

Hugh Grant in Heretic

Hugh Grant sizes up some missionaries in 'Heretic'.

What if your religious customs involved ringing the doorbells of strange men? Such is often the case for college-aged members of the Church of Jesus Christ of Latter-day Saints. Sophie Thatcher and Chloe East play two such missionaries, who encounter a charmingly dingy middle-aged man (Hugh Grant) and believe they've found someone genuinely interested in learning about their faith.

Turns out, he is not just a philosophically verbose atheist, but a madman whose house is not as it seems. After a great deal of tense verbal sparring, the suspense explodes into violence and terror.

Where to watch *Heretic*: HBO Max

High and Low (1963)

Toshiro Mifune High and Low - 1963

Toshiro Mifune has a decision to make (that's his decision-making scowl) in 'High and Low'.

Toho/Kobal/Shutterstock

Recently remade by Spike Lee, this is one Akira Kurosawa's most memorable films made in then-contemporary Japan. It concerns a wealthy businessman (Toshiro Mifune) who has just liquidated all of his assets in an attempt to gain control of his company. Then comes a terrifying phone call claiming his son has been kidnapped.

Just before he goes to pay the ransom, he discovers the kidnappers have made a mistake — they actually grabbed his chauffeur's kid instead. Should he do the right thing and part with his money? Easy for you to say!

Where to watch *High and Low*: HBO Max

Inception (2010)

Leonardo DiCaprio in Inception

Leonardo DiCaprio and Elliot Page go down the wrong dream elevator in 'Inception'.

Warner Bros/Courtesy Everett Collection

"Don't be afraid to dream a little bigger, darling." Christopher Nolan's mind-scrambling film moves at such a propulsive clip that there's hardly any time to question whether anything actually makes sense. But there are so many thrilling chases, surreal images, and wacko cross-cutting sequences between realities that it's best not to worry about the logic.

The *bwonnnngs* on the soundtrack are an aural cliché now, but the whole delirious package still makes for one of the most thrilling movies of the 2010s.

Where to watch *Inception*: HBO Max

Key Largo (1948)

Lauren Bacall and Humphrey Bogart Key Largo

Lauren Bacall and Humphrey Bogart in 'Key Largo.' They'd make a cute couple, wouldn't they.

John Springer Collection/CORBIS/Corbis via Getty Images

John Huston's tropical crime thriller, starring Humphrey Bogart, Lauren Bacall, and Edward G. Robinson, is one of the all-time classics, packed with legendary lines and terrifically tense moments. Bogart plays a returning army vet paying a call to his war buddy's widow and father, who run an island hotel.

With the place emptied out due to an approaching hurricane, they soon find themselves held captive by gangsters (one of whom is named Toots!) who need a base before they can complete a big score. Suspense builds inside the relative safety of the hotel, with the ferocity of the natural world just outside the door.

Where to watch *Key Largo*: HBO Max

Knife in the Water (1962)

KNIFE IN THE WATER, A, Jolanta Umecka, Leon Niemczyk, 1962

Jolanta Umecka and Leon Niemczyk before their little boat trip goes to hell in 'Knife in the Water'.

Everett Collection

The first feature film from Roman Polanski, this tense Polish-language thriller is a reminder to never pick up hitchhikers, especially if you're a married couple with a great deal of unspoken resentment. What begins as a pleasant boating excursion — and a fascinating look at Cold War-era lifestyles to Western audiences in the early 1960s — soon devolves into misunderstanding, sexual tension, violence, and, uh, more violence.

Though Polanski made a slew of classic films in Poland, Hollywood, and later in French exile, an argument can be made that he never topped this one.

Where to watch *Knife in the Water*: HBO Max

The Long Good Friday (1980)

THE LONG GOOD FRIDAY, Helen Mirren, Bob Hoskins, 1980.

Someone just rudely roughed up Bob Hoskins in 'The Long Good Friday'.

courtesy Everett Collection

An essential '80s British gangster picture, *The Long Good Friday *stars Bob Hoskins as a London mafioso trying to "go legit" by making investments in a dockyard in connection with American businessmen. Meanwhile, he's in hot water with the Irish Republican Army as well as corrupt politicians.

His aspirations were symbolic of Britain's post-'70s modernization schemes, and could easily be read as a political allegory. Helen Mirren costars as Hoskins' equally striving girlfriend, and the movie is rich with backstabbing, colorful characters.

Where to watch *The Long Good Friday*: HBO Max

The Man Who Knew Too Much (1934)

Bob Lawrence (Leslie Banks) holds Betty Lawrence (Nova Pilbeam) in the 1934 Alfred Hitchcock thriller, The Man Who Knew Too Much.

Leslie Banks and Nova Pilbam in the OG 'The Man Who Knew Too Much'.

John Springer Collection/CORBIS/Corbis via Getty

This is the only movie that Alfred Hitchcock made twice. (Sorry Jimmy Stewart and Doris Day — HBO Max has the original black-and-white version.) A British family is on vacation in Switzerland where they befriend a charming Frenchman. He is, however, shot, and before he dies mumbles something about a stashed note. When they retrieve it, they learn of a major crime in the works; what's worse, the criminals learn about *them*.

This film gives us the classic Hitchcock theme of ordinary people plunged into a sudden nightmare, as well as a fun early turn from Peter Lorre as a criminal mastermind and a thrilling set piece set at the Royal Albert Hall.

Where to watch *The Man Who Knew Too Much*: HBO Max

Mr. Arkadin (1955)

Robert Arden, Orson Welles Confidential Report / Mr Arkadin - 1955

Robert Arden, Orson Welles, and Orson Welles' beard in 'Mr. Arkadin'.

Sevilla/Mercury Prods/Kobal/Shutterstock

Though its director, writer, and star Orson Welles dismissed the movie because it was recut by the studio (indeed, several versions are floating around out there), this is still a gripping post-war crime thriller with great performances and a slick visual style. Welles plays the wealthy Gregory Arkadin, a man suffering from amnesia who can't remember how he made all his money. Thus, he hires Guy Van Stratten (Robert Arden) to investigate his past.

Problem is, everyone Van Stratten speaks to ends up mysteriously dead. Welles is clearly trying to rework some of the *Citizen Kane *template, but while lightning doesn't exactly strike twice here, the movie is far better than its reputation.

Where to watch *Mr. Arkadin*: HBO Max

One Battle After Another (2025)

One Battle After Another

Leonardo DiCaprio, having chosen a car with terrible horsepower, in 'One Battle After Another'.

*One Battle After Another *is based very loosely on the basic outline, and some of the less-surreal elements, of Thomas Pynchon's wacko novel *Vineland*. Paul Thomas Anderson updates the story of revolutionaries in post-1960s burnout to today — and possibly tomorrow. One-time bomb specialist Bob (Leonardo DiCaprio) is laying low with his now-teenage daughter, years after his cell got disrupted. Destiny, however, eventually comes calling.

The film mixes absurdist comedy and action, including a preposterous rooftop escape and a thrillingly disorienting car chase on desert roads. This is impossible to fit into one genre, but we're happy to include it here.

Where to watch *One Battle After Another*: HBO Max

The Player (1992)

The Player (1992) Tim Robbins

Tim Robbins in enviable suspenders in 'The Player'.

Lorey Sebastian

Robert Altman's sneaky skewering of Hollywood predated *Entourage *and *The Studio *by years, but prepped audiences for an unvarnished, insider's look at tinsel town. In addition to being an industry satire, the film functions as a terrific noir-ish thriller.

Tim Robbins is a movie executive receiving threats from a writer whose stories he's rejected. When he goes to confront him, he accidentally kills him. Whoopsie! Then he learns the writer wasn't even the right guy. Double whoopsie! Can he somehow produce his way into a nice Hollywood ending?

Where to watch *The Player*: HBO Max

Revanche (2008)

Johannes Krisch, Ursula Strauss Revanche - 2008

Johannes Krisch and Ursula Strauss in happier times (trust us) in 'Revanche'.

Prisma Film/Spielmannfilm/Kobal/Shutterstock

This philosophical Austrian crime thriller, nominated for Best Foreign-Language film at the Oscars, concerns an ex-con and his sex worker girlfriend trying to get out of their rotten situation by robbing a bank. During their caper, however, they're stopped by a police officer who accidentally kills one of them (no spoilers on who). The survivor decides to take revenge, but things take a psychological turn when we learn more about the police officer.

This is may be more of a drama than a typical thriller, but the specifics of it are so crystalline that each scene holds you in tremendous suspense.

Where to watch *Revanche*: HBO Max

Sisters (1972)

Margot Kidder in a scene from the movie "Sisters" circa 1973.

Margot Kidder gets herself in trouble in 'Sisters'.

Michael Ochs Archives/Getty

This is a bonkers early film from the master of sleazy thrillers, Brian De Palma, and one of the few great movies proudly set on Staten Island. Grace Collier (Jennifer Salt) is witness to a murder (Margot Kidder, is that you?) in a nearby apartment, but by the time the cops get there everything is cleaned up. She becomes obsessed, and soon realizes she's uncovered a bizarre tale involving medical experiments and psychosis.

You'd never believe the ending if we spoiled it; you just have to see it for yourself. The movie deploys De Palma's signature split-screen technique, arguably the best use of this gimmick in his whole filmography.

Where to watch *Sisters*: HBO Max

Uncut Gems (2019)

Uncut Gems

Adam Sandler shows off his prized bejeweled Furby in 'Uncut Gems'. A24

Famously one of the most anxiety-inducing movies in recent years, *Uncut Gems *stars a marvelously cast Adam Sandler as Howard Ratner, a scumbag jewelry dealer, adulterer, and degenerate gambler addicted to the thrill of making bad decisions.

With a perfect supporting cast — Eric Bogosian, Julia Fox, LaKeith Stanfield, Idina Menzel, Keith William Richards, and Kevin Garnett — Josh and Benny Safdie's film flexes its tightening grip as Howard gets himself into deeper trouble, betting his entire life on a single moment. You can watch this movie over and over and still get surprised by its ending.

Where to watch *Uncut Gems*: HBO Max

The Wages of Fear (1953)

Charles Vanel, Yves Montand Le Salaire De La Peur / The Wages Of Fear - 1952

Charles Vanel and Yves Montand in 'The Wages of Fear'.

Filmsonor/Cicc/Vera-Fono Roma/Kobal/Shutterstock

One thing's for certain, you'll never want to drive a truck full of explosives through the Latin American jungle after watching this classic French-Italian thriller. Led by Yves Montand, a group of desperate ne'er-do-wells accept the risky job when an oil refinery needs nitroglycerin to put out a raging fire.

This is a character study under the intense scrutiny of high stakes that's nearly impossible to watch without freaking out. (It's also sadistically long at two-and-a-half hours.) If the plot sounds familiar, William Friedkin remade it as *Sorcerer*,* *starring Roy Scheider, in 1977. Film buffs have been arguing about which version is better ever since.

Where to watch *The Wages of Fear*: HBO Max

- Thriller & Mystery Movies

Original Article on Source

Source: "EW Thriller"

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Source: Thriller

Published: March 12, 2026 at 07:38PM on Source: PRIME TIME

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The 20 best thriller movies on HBO Max (including a nail-biting Oscar contender)

These films get the blood pumping. The 20 best thriller movies on HBO Max (including a nailbiting Oscar contender) These f...

 

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