Inside the making of Apple TV’s ‘The New Look’ | 4L6029P | 2024-02-23 14:08:01

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Inside the making of Apple TV's 'The New Look' | 4L6029P | 2024-02-23 14:08:01
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Prior to the screening, BAZAAR UK's options editor, Charlotte Brook, took to the stage with BAZAAR UK's former editor-in-chief, Justine Picardie (and writer of Miss Dior), and The New Look's costume designer, Karen Muller Serreau. Their conversation coated the very important historic context of the show, the inspiring — and nonetheless relatively unknown — story of Christian's sister, Catherine, and the challenges of bringing Dior's earliest creations to the display.

Inside the making of Apple TV's 'The New Look'
Inside the making of Apple TV's 'The New Look'
(From left) Charlotte Brook, Justine Picardie and Karen Muller Serreau hosted a screening to discuss the brand new collection

"I hope this collection will convey the story of this immensely brave young lady to a larger viewers and to a new era," stated Picardie, of the brand new highlight now being shone on the inspiring and heart-breaking story of wartime hero Catherine Dior, performed by BAZAAR Australia's present cover star, Maisie Williams.


Picardie spoke of the extreme bond the Dior siblings shared, cast by poverty and tragedy, and how integral this relationship was to the good designer's creations. His inaugural collection was devoted to a "flower lady": that lady was Catherine Dior, who at the time had turn out to be a horticulturist, producing the roses which would type the base of the home's very first& perfume,& Miss Dior, named in her honour.

Inside the making of Apple TV's 'The New Look'
Inside the making of Apple TV's 'The New Look'
Maisie Williams as Catherine Dior in The New Look | ROGER DO MINH / APPLE

"Catherine was the lady he liked greatest on the planet, and she or he was his first mannequin," Picardie defined. "She was emaciated when she returned to France, from the focus camps, so the delicate padding you'll discover within the& Bar jacket, on the hips, the bust and the shoulders, provide a sort of safety to his beloved younger sister, who he had not been capable of shield. I find that tenderness really emotional."

The fashion of& The New Look& is, in fact, a foundational tenet of the show and a character in its own right. For esteemed costume designer Muller Serreau, capturing such an iconic second in style was a singular problem, alongside costuming the wartime years and sartorial modifications in the forged. For Williams (whom she praised for "doing all her own stunts") the task was to dress "an everyday one that might disguise and blend in", who then becomes one of the very first Dior fashions.

Inside the making of Apple TV's 'The New Look'
Inside the making of Apple TV's 'The New Look'
Christian Dior himself is played by Ben Mendelsohn in the collection | ROGER DO MINH / APPLE

"We have been extremely cautious with the costumes that we created for the fashion exhibits," she stated. "We put material down on the bottom, the women that have been dressing [the models] had to wear gloves and we had to shout to everyone on the set to maneuver the whole lot out of the best way to make the area for them to get by way of."

The costumes have been made with unimaginable attention to detail, the corsetry and padding all made to duplicate some of style's most formational seems. Extreme wartime rationing had produced such malnourishment that Muller Serreau famous how shocked she was by the miniscule measurements of the unique clothes. Picardie shared a gathering she had with the late Pierre Cardin, who led the primary Dior atelier and informed her he nonetheless remembered the extraordinary proportions — "those tiny, tiny waists" — of 1947's 'The New Look.'

Inside the making of Apple TV's 'The New Look'
Inside the making of Apple TV's 'The New Look'
"I hope this collection will deliver the story of this immensely courageous younger lady to a bigger viewers and to a brand new era," stated Picardie of Catherine Dior

For Muller Serreau, the present is a love letter to the resilience of her personal craft. "In occupied France, the Nazis needed to take the style business to Berlin," she stated. "And so dwelling and dealing in this business in Paris immediately, it means a lot. This story is about survival and the way artistic individuals use their creativeness to get via troublesome moments."

Picardie added that she hopes individuals will take the message of optimism and rebirth from the story, before sharing how a lot BAZAAR itself is enmeshed in the history of Dior.

"It was Carmel Snow, BAZAAR's editor at the time, who coined the phrase," she stated. "That first collection was referred to as Corolle, however fairly than saying that, which in all probability wouldn't have translated very properly for the readers of Harper's BAZAAR, she says, 'Ah, my pricey Christian, it's such a new look!'"

This text initially appeared on Harper's BAZAAR UK.

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The submit Inside the making of Apple TV's 'The New Look' appeared first on Harper's Bazaar Australia.

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